I’m a Baltimore-based audio engineer specializing in music recording and mixing for all genres, especially classical, jazz, and folk. I have a Master of Arts in Audio Sciences with a Recording & Production focus from the Peabody Conservatory of the Johns Hopkins University. At Peabody, I was a graduate assistant for the Recording Arts & Sciences department, where I studied under the tutelage of Scott Metcalfe and Ed Tetreault for six years. My education at Peabody has provided me with a strong foundation in all things audio engineering.

As a freelancer in Baltimore and Washington, D.C., I’ve recorded, livestreamed, and edited hundreds of concerts, recitals, sessions, and audition tapes for professionals and students alike. This has provided me with a great deal of experience with multi-camera video for music applications. I currently operate livestream concerts at An die Musik on Charles Street and co-produce the streams for Community Concerts at Second Presbyterian. In 2020, I recorded, mixed, and mastered the album “Hearing Stars” by composer collective CNSNC, performed by the Bergamot String Quartet. I have served as an engineer for several members of the Baltimore Symphony Orchestra including pianist Lura Johnson, clarinetist YaoGuang Zhai, and violinist Audrey Wright.

For two summers I worked as a recording engineer at the Tanglewood Music Center under the supervision of Grammy award-winning producer and engineer Tim Martyn, and Carl Talbot of Musicom Productions. At Tanglewood, I served as lead recording engineer on concerts by some of the top artists in the classical industry, including the Emerson String Quartet, Jeremy Denk, Thomas Adès, Paul Lewis, the JACK Quartet, Stefan Jackiw, Igor Levit, Kirill Gerstein, members of the Boston Symphony Orchestra, and numerous fellows of the Tanglewood Music Center. I have assisted on broadcasted recordings for the Boston Symphony Orchestra.

Photo credit Noah Tingen.

%d bloggers like this: